Def Leppard News - 35 Years Ago Def Leppard Release The High 'n' Dry Album In The UK

35 Years Ago Def Leppard Release The High 'n' Dry Album In The UK

Wednesday, 6th July 2016

Def Leppard released their classic second studio album High 'n' Dry 35 years ago on this day in 1981 in the UK.

The follow up to On Through The Night was released on 6th July 1981 just ahead of their UK tour which ran from the 13th to the 25th.

It was the first time the band would work with legendary producer Robert John 'Mutt' Lange.

The album was later released in the USA and Canada on 21st July (according to the RIAA) and would reach Number 38.

It peaked at Number 26 in the UK charts.

The album was not released in mid June as Twitter would have you believe. The recording was actually finished on 11th June and so this was not the release date.

There is also some evidence to suggest the UK release could have actually been pushed back to 20th July. This date was advertised in major UK music magazines dated 11th July 1981.

However that date does not tie in with it's chart entry date (three weeks after the 6th July release date) which is in keeping with other UK releases of the time.

Note - The 11th July 1981 was a Saturday and therefore not the release date of the 'High 'n' Dry' album. It was released on 6th July in the UK and 21st July in USA/Canada. The 11th July date was posted randomly years ago on Wikipedia and has not been updated since.

Def Leppard 1981.
UK Advert 1981

Album Recording

The album was written in late 1980/early 1981 back home in Sheffield following a short break after the end of the 1980 world tour in December. Having been made to wait for a few months the band met up in London with Producer Mutt Lange and recorded the album at Battery Studios in Willesden, North London from March to June.

Mutt Lange

Mutt Lange helped to change the band's sound and took them from an ordinary run of the mill NWOBHM band onto a different level. This was highlighted by the song 'When The Rain Falls' with Mutt taking the guitar riff and helping them transform it into 'Let It Go'. Something that would also be done on the next album with 'Rock! Rock! (Till You Drop)' (Medicine Man) and 'Too Late For Love' (This Ship Sails Tonight).

'Let It Go' was also the first song to be recorded and the first time the band would work with the late Mike Shipley and fellow engineer Nigel Green. Both of whom, would go on to play integral parts in the 'Pyromania' and 'Hysteria' albums.

No No No.....

The original vinyl record had the NO, NO, NO... ending repeated about 30 times until the record finished playing with no fade out.

UK Singles

Both 'Let It Go' and 'Bringin' On The Heartbreak' were issued as singles in the UK with live promo videos filmed in Liverpool during the July UK tour. As yet no evidence has surfaced on the band actually performing BOTH live during the 1981 tour. 'Let It Go' was the only US single and reached Number 34 on the Rock Chart.

Artwork

The cover art saw the band team up with Hipgnosis, led by the late Storm Thorgerson, for the first time. Various Pink Floyd websites suggest the artwork was originally designed in the 1970s. Storm had (apparently) intended to use the artwork for two Pink Floyd albums in the late 70s but it was rejected and ended up fitting the title of Leppards album.

Def Leppard 1981.
UK Advert 1981

High 'n' Dry Album - 1981 Band Member Quotes

Joe Elliott

"We're looking forward to it a lot. We've got some great songs and Mutt Lange is an excellent producer. I think we're going to surprise a lot of people who thought we were just a sort of flash in the pan."

Rick Allen (on Mutt Lange)

"The guy is a genius. He's a slave driver, but he's a genius."

Mutt Lange to Peter Mensch 1979 Quote

"He's not the best singer I've ever heard but he shows promise. I'd like to do their next album."

Joe Elliott (on not using Tom Allom again)

"Tom is great, really funny, but we didn't want to use him on the second album. We didn't want to get stuck in a rut, we wanted something different and we wanted it to be a definite improvement, which it is, Mutt is great. He really works you hard and you need that in the studio."

Joe Elliott (on the studio)

"I'll admit I'm a real wimp in the studio basically because there you've got no natural adrenalin, there's no audience, no nothing. Mutt put a lot of dynamics into AC/DC and everybody else and that's what our last album lacked. If this album sounds anything like AC/DC it's not his doing. It's our songwriting. He's given us a sound on this album which we didn't have before."

Joe Elliott (on puppet accusations)

"We've heard all that stuff about how our manager Peter Mensch is manipulating us and how we're the playthings of our record company. Cobblers!."

"Of course they have a say in what records come out and in what tours we do and all that sort of thing. but as far as our music is concerned that's completely down to us. We're not a bunch of idiots who don't know how to make a decision. We've got our own minds and we know how to use them."

Animal Instinct - 1987 Biography Quotes

"Mutt was not present at the band's 1980 songwriting sessions in Sheffield. Leppard had set up shop in the paper factory there with a Fostex deck and a Teac four-track recorder, laying down rough versions of the compiled material. A couple of those demos made their way to London for Mutt's consideration. Then in March of '81, Leppard relocated to a rehearsal space in North London, down the street from a women's prison , ready to start pre-production. On the very first day, Mutt walking in looking like Robert Plant, according to Joe, sporting long wavy blond hair and wearing a heavy trench coat."

"He introduced himself and said 'Right, let's get started then. This song you do When The Rain Falls - play it faster.' So we played it for him, faster than usual. Then he said 'Play it slower.' Then it was faster. He asked me to sing a different melody, to change the meter. This went on and on. And eventually that song became Let It Go."

"Mutt was quite happy with a number of the songs essentially as Leppard had written them. There were a few significant changes made on Another Hit And Run and No No No. High 'N' Dry (Saturday Night), on the other hand, was practically unrecognisable from the song Leppard brought down from Sheffield."

"I wanted one song on the album to have a kind of Highway To Hell feel - no bass to start with, coming in stages," Mutt relates. "We got a groove going for the verse, and then tried to figure out where we wanted to go with it. We'd throw ideas around, these basic feels, sing them and then have the guitarists play them to make them sound a bit more credible. Once the verse was in shape, we worked on the chorus. It had to be a real anthemic sort of thing."

"In retrospect, the actual time spent at Battery Studios (Mutt's studio of preference) cutting High 'n' Dry. was only about two months. The band started in April and, according to Peter Mensch, the last overdub was recorded on June 11, after which Mutt invested another couple of weeks for mixing. But the process of recording each instrument and vocal individually subdivided into sections, was a bit more arduous than Def Leppard were used to. Those two months, at times, seemed like years."

1996 Work It Out Album Postcards - Rick Allen Quotes

"This was when we started taking it seriously, and found out what hard work really was."

"Mutt Lange at the helm at Battery studios in Willesden, London."

"Our first venture into video promo saw us featured on a new channel in America called MTV. The song from the album was "Bringin' On The Heartbreak."

"This album was slow to take off but a year after it's release it started to make waves in the U.S. Thanks to "Bringin' " on the MTV."

"This record is a favourite of mine."

Def Leppard - High 'n' Dry Album Section
Def Leppard - High 'n' Dry Tour 1981
Previous News - 4th July 2016

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